Five guys with goofy expressions on their faces
holding a giant key—that’s the image you see on the cover of the Superior
Movement’s one and only album. Most of
their music is fairly down-tempo for a boogie record, but the couple prime floor-filler
cuts they lay down more than make up for the disparity, and really, the slower
tracks aren’t bad either. DJ’s and dance
aficionados will be most interested in “Wide Shot” and “Be My Cinderella,” both
of which have an understated minimalism to them, echoing the aftershocks felt
by Prince and Zapp’s new wave funk.
Scattered among the synth-bass stormers are kicked-back, silky R&B
tracks that absolutely ooze with romantic ambiance, made palatable by warm
production and the group’s swooning harmonies.
If you look closely at the credits, you’ll find the names of several
Chicago music legends, like Tom Tom 84, Morris Jennings, Vincent Wilburn, Louis
Satterfield, Don Myrick, etc., proving that the Windy City’s vibrant and
idiosyncratic soul tradition had more than one golden age, and was going strong
as late as 1982.
No comments:
Post a Comment