Told you.
This isn’t Upchurch’s debut, as some believe—he had done “You Can’t Sit
Down” and “Feeling Blue” before this—but definitely the signifier of his arrival as a guitarist to be reckoned
with. More Stepney arrangements to build
the musical scaffolding, and in fact, the liner notes talk about Stepney’s
writing and arranging of opener “Black Gold” (later transformed into Rotary
Connection’s timeless “I Am The Black Gold Of The Sun), in which he backs Upchurch
with a 36-piece (!!!) band. Phil also takes
on then-contemporary material like “America” and, most daringly, “Crosstown
Traffic” and “Voodoo Chile (Slight Return).”
This version of “Voodoo Chile,” in particular, rivals the Hendrix
original for sheer force, intensity and distorted guitar grunginess, at the
same time making the rhythm section funkier, adding an uptown soul backdrop
that complicates AND complements the guitar.
As for Phil Upchurch, he continued to do all kinds of solo and session projects
after he made this record, but he never played with such a tense, terse,
monstrous tone ever again.
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