Not recorded in Chicago…instead stirred up and
conjured in Archway Studios in St. Louis, with production help from “main man”
Oliver Sain. The groove is raw, lowdown,
ominous…it’s what Grant Green might sound like as filtered through wah wah
pedals, distortion, and backed up by The Counts, circa their Westbound
tenure. Guitarist Eddie Fisher had done
an earlier album for Cadet called “The Third Cup,” a tribute to bandleader Leo
Gooden that, while demonstrating some of his capacity for fringe
experimentalism, suggested little of this gritty, small-band masterpiece. Key tracks are the fuzzed-out “Either Or,”
the Meters-meets-swing-fusion of “Another Episode,” and the long, drifting,
movement-oriented “Beautiful Things,” which features an unnamed violin player
taking Fisher and his group into a distant, hazy psychedelia that slowly morphs
into a stomping funk throw-down. The set
closes with “East St. Louis Blues,” blues maybe but more accurately described
as swampy funk. This is the kind of
session where you can practically smell the smoke in the studio, hear the
conversation in between takes, imagine yourself there and as one of the players. An intimate, late-night record that immerses
the listener completely in its energy.
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