Oh, shalt we?
Doesn’t seem like such a terribly hellish proposition, and if this band
is the soundtrack, said boogie will certainly be exceptional. This is an odd, sublime piece of psychedelic
disco-soul, with Ernie Isley-copping, distortion-plus-phase guitar solos,
melodic chord progressions, and lavish, lascivious vocals. No shock that this was recorded at Detroit’s
United Sound studios—home to more classic recording sessions than there is room
to mention here—and that storied locale’s beautiful sonic fingerprints are
everywhere on “Boogie,” accenting the dope percussion breaks and
jazz-meets-P-Funk vibe nicely. My
favorite tracks are the jazzy “Devils Disco,” the rhodes-and-guitar-soaked “How
Would You Feel,” and the strutting-but-smooth “Rope-A-Dope.” It’s a bit of a shame that this group decided
to go with what was, in their time, a rather controversial band name and
concept, as I’m sure it prevented them from whatever larger musical success
they could have achieved. This is a
sleeper of a soul record, and not one you see in its original pressing
often. Don’t pass on it if you find one.
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