Big band funk from organist Reuben Wilson. This record stands out in his catalogue as it
sounds unlike any of his others; though he had made a name for himself on the
Blue Note label years before, riding the crest of the organ-jazz-funk
popularity wave of the late ‘60’s/early ‘70’s, this Cadet LP is a purely
soul-driven effort, with huge horn sections, lead vocalists, occasional
strings, phased and flanged production, etc.
Wilson’s keyboard skills are still showcased, albeit in more of an
ensemble soloist capacity than they had been on previous recordings. Every song on the album is fantastic, from
the extremely funky “What The People Gon’ Say,” “Tight Money” and the title
track to the more subdued and sensual moods of “In The Booth, In The Back, In
The Corner, In The Dark,” “Back Rub” and “Stoned Out Of My Mind.” I’d be interested to know what Reuben himself
thought of this record, considering his smaller-than-usual role in its
creation; I’m guessing it was made to cash in on the funk-soul craze of the
mid-‘70’s, although its effect was quite the opposite, it sank like a stone upon
its release and is nearly impossible to find a copy of in its original
pressing. Beyond whatever motivations
drove its incubation at the time, it now stands as a forgotten classic of
sorts, as well as representing Reuben Wilson’s last major-label attempt at
success until his re-emergence as an acid jazz hero for the sample-seeking set
in the early ‘90’s.
No comments:
Post a Comment